Monlithic vs Multiple
Mythogeography describes a way of thinking about and visiting places where multiple meanings have been squeezed into a single and restricted meaning (for example, heritage, tourist or leisure sites tend to be presented as just that, when they may also have been homes, jam factories, battlegrounds, lovers' lanes, farms, cemeteries and madhouses). Mythogeography emphasises the multiple nature of places and suggests multiple ways of celebrating, expressing and weaving those places and their multiple meanings.
Mythogeography is influenced by, and draws on, psychogeography – seeking to reconnect with some of its original political edge as well as with its more recent additions. While engaging seriously with academic discourses in areas like geography, tourism studies and spatial theory, mythogeography also draws upon what Charles Fort might have described as ‘the procession of damned data’. So, occulted and anomalous narratives are among those available to mythogeography, not as ends in themselves, but as means and metaphors to explain, engage and disrupt.
The term Mythogeography arose from the work of Wrights & Sites (site-specific performance makers).
Mythogeography is influenced by, and draws on, psychogeography – seeking to reconnect with some of its original political edge as well as with its more recent additions. While engaging seriously with academic discourses in areas like geography, tourism studies and spatial theory, mythogeography also draws upon what Charles Fort might have described as ‘the procession of damned data’. So, occulted and anomalous narratives are among those available to mythogeography, not as ends in themselves, but as means and metaphors to explain, engage and disrupt.
The term Mythogeography arose from the work of Wrights & Sites (site-specific performance makers).